12.12.2008

quote #33

I’ve gotten convinced that there’s something kind of timelessly vital and sacred about good writing. This thing doesn’t have that much to do with talent.... Talent’s just an instrument. It’s like having a pen that works instead of one that doesn’t. I’m not saying I’m able to work consistently out of the premise, but it seems like the big distinction between good art and so-so art lies somewhere in the art’s heart’s purpose, the agenda of the consciousness behind the text. It’s got something to do with love. With having the discipline to talk out of the part of yourself that love can instead of the part that just wants to be loved.

David Foster Wallace

12.09.2008

movie #42



Fargo
Joel Coen

movie #41



The Death of Mr. Lazarescu
Cristi Puiu

movie #40



Caché
Michael Haneke

movie #39



The Incredible Hulk
Louis Leterrier

12.03.2008

thought #14

I can't go to bed while listening to jazz. It's like trying to sleep while someone is emphatically talking to you.

inspiration #38





Julia Venske & Gregor Spänle
Gumpfot Mauf
Gumpfot
Source #4
Schlaff

movie #38


Ghost Dog
Jim Jarmusch

movie #37



Reprise
Joachim Trier

inspiration #38





Tomma Abts
Fewe
Ert
Epko
Ebe


Abts works consistently to a format of 48 x 38 centimetres in acrylic and oil paint. She uses no source material and begins with no preconceived idea of the final result. Instead, her paintings take shape through a gradual process of layering and accrual. As the internal logic of each composition unfolds forms are defined, buried and rediscovered until the painting becomes ‘congruent with itself’. Her titles are derived from a dictionary of first names and the process of naming marks the work’s completion.